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International Organisation Resource

The Shoah on screen - Representing crimes against humanity - Volume I

Anne-Marie Baron   •   Council of Europe   •   2006

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Levels and forms of education

Media

Other Levels and Forms of Education

Resource type

Conceptual or themathic publications

Historic approaches concerned

Art History

Cultural History

Global History

Intellectual History

Local History

Military History

Political History

Social History

Transnational History

Other Approaches

Historic period

20th Century

21st Century

Countries or areas concerned

Europe

Languages

English, French

Description

Over the past twenty years or so, there have been an increasing number of fi lms about the Shoah, reaching more and more viewers. It is as if, fi fty years later, a tacit partial ban on cinematic representation of the only systematic, largest numerically, and most heinous genocide in the entire history of humanity has been lifted. This gap has allowed the Shoah to assume its true historical magnitude and the cinema its true place among the arts. The Shoah marked a return to barbarity at a time when civilisation was making progress. Although the problem of evil is much older, the Shoah has removed it from the metaphysical sphere and turned it into a contemporary, real-life collective experience. It also stimulates thought on other crimes against humanity, committed before and since against other human groups.

Keywords

Shoah

Holocaust

Cinema

History in films

World War II

Commemoration

History in art

Jewish History