International Organisation Resource
The Shoah on screen - Representing crimes against humanity - Volume I
Anne-Marie Baron • Council of Europe • 2006
Levels and forms of education
Media
Other Levels and Forms of Education
Resource type
Conceptual or themathic publications
Historic approaches concerned
Art History
Cultural History
Global History
Intellectual History
Local History
Military History
Political History
Social History
Transnational History
Other Approaches
Historic period
20th Century
21st Century
Countries or areas concerned
Europe
Languages
English, French
Description
Over the past twenty years or so, there have been an increasing number of fi lms about the Shoah, reaching more and more viewers. It is as if, fi fty years later, a tacit partial ban on cinematic representation of the only systematic, largest numerically, and most heinous genocide in the entire history of humanity has been lifted. This gap has allowed the Shoah to assume its true historical magnitude and the cinema its true place among the arts. The Shoah marked a return to barbarity at a time when civilisation was making progress. Although the problem of evil is much older, the Shoah has removed it from the metaphysical sphere and turned it into a contemporary, real-life collective experience. It also stimulates thought on other crimes against humanity, committed before and since against other human groups.
Keywords
Shoah
Holocaust
Cinema
History in films
World War II
Commemoration
History in art
Jewish History